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c. 1445 – May 17, 1510. Italian painter.

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Johann Heinrich Fuseli
Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti

ID: 91388

Johann Heinrich Fuseli Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti
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Johann Heinrich Fuseli Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | Ezzelin and Meduna | The Shepherd's Dream | Titania is leevtallig met Bottom met de daare Eselkopp | Die Einsamkeit bei Tagesanbruch | Liegende Nackte und Klavierspielerin |
Related Artists:
Gustave Loiseau
French, 1865-1935 French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work.
Barnaba Da Modena
active in Genoa and Pisa 1361-1383 was an Italian painter of the mid-14th century Lombardy. There is a painting by him in the church of San Francesco in Alba. A Virgin and Child once in Frankfort, was painted in a Byzantine style and is currently located at the Museum of Fine Arts in Boston,
Frits Van den Berghe
(3 April 1883 - 22 September 1939) was a Belgian expressionist painter. He was born at Ghent. Like his friends Constant Permeke and Gustave De Smet, he first adopted the late-impressionist style of Emile Claus, but converted to expressionism during World War I.






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